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The Harrowing of Hell was taught by theologians of the early church: St Melito of Sardis (died c. 180) in his Homily on the Passover and more explicitly in his Homily for Holy Saturday, Tertullian (A Treatise on the Soul, 55, though he himself disagrees with the idea), Hippolytus (Treatise on Christ and Anti-Christ), Origen (Against Celsus, 2: ...
The Harrowing of Hell is an eighth-century Latin work in fifty-five lines found in the Anglo-Saxon Book of Cerne (folios 98v–99v). It is probably a Northumbrian work, written in prose and verse, where the former serves either as a set of stage directions for a dramatic portrayal or as a series of narrations for explaining the poetry.
The plays of the N-Town cycle vary from simple, almost liturgical, recitations of Biblical texts (as in the Moses play of the Ten Commandments, the Jesse play with its kings and prophets, and the Pentecost play) to highly complex and fast moving short dramas on Biblical themes that have a naturalism and liveliness (as in the Death of Herod and ...
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Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions.
The Harrowing may refer to "The Harrowing" (Inside No. 9), a 2014 episode of British dark comedy series Inside No. 9; The Harrowing, a 2006 novel by Alexandra Sokoloff; The Harrowing, a 2016 novel by James Aitcheson; The Harrowing of Hell, in Christian theology; The Harrowing, a 2020 novel by RW Duder
Articles related to the Harrowing of Hell and its depictions. This is a term referring to the period of time between the Crucifixion of Jesus and his resurrection . In triumphant descent, Jesus brought salvation to the souls held captive there since the beginning of the world.
A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe. It remained very common in depictions of the Last Judgment and Harrowing of Hell until the end of the Middle Ages , and is still sometimes used during the ...