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Photo Bits was a British softcore pornographic magazine that was published weekly. [1] It was founded in 9 July 1898 and ran until 9 December 1914. [2] It was mentioned in James Joyce's Ulysses. [3] The magazine was long targeted by hostile forces concerned about social "purity". The editor of the magazine faced arrest and prosecution.
Robert Whitaker (13 November 1939 – 20 September 2011) was a British photographer, best known internationally for his many photographs of The Beatles, [1] taken between 1964 and 1966, with his best known work, the "Butcher Cover", which featured on the band's 1966's US-only album Yesterday and Today.
Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart. Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assembly of different forms, thus creating a new whole.
Society (documenting images that captured moments that shifted public acquaintance with political, social, cultural and environmental issues); War (pivotal moments of conflict and associated violence); and; Science and Nature (capturing technological triumphs, defeats and horrors). The three subsections are:
Editor’s note: This article was last updated on February 21, 2024. Many of us have settled back into office life, whether on a full-time or hybrid schedule. We love seeing our favorite coworkers ...
The magazine was delighted to publish a photo of Dan Quayle unwittingly holding the "PROOFREADER WANTED" cover of Mad #355, on which the magazine's logo appeared as MAAD. During a photo op in 1992, the then-Vice President had incorrectly "corrected" an elementary school student on the way Quayle thought the word "potato" should be spelled.
Brika has expressed that she draws inspiration from “bits and pieces of everything, even visuals”. Journalist Brianne Nemiroff, of Viva Glam Magazine, has compared her sound to Billie Holiday and Banks. [26]
The fall 1999/spring 2000 collections of many designers reflected the very aesthetic that Ozbek valued for over a decade—the artful mixing of unlikely patterns, shapes, and ornamentation, along with bits and pieces borrowed from a global grab bag.
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