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The epigraph to Eliot's Gerontion is a quotation from Shakespeare's Measure for Measure. Eliot's "The Hollow Men" uses the line "Mistah Kurtz, he dead" from Joseph Conrad's Heart of Darkness as one of its two epigraphs. As an epigraph to The Sun Also Rises, Ernest Hemingway quotes Gertrude Stein, "You are all a lost generation."
Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith.
[15]: 95 To judge by what I now endure, the hand of death grasps me sharply." [11]: 140 [15]: 95 — Salvator Rosa, Italian artist and poet (15 March 1673), when asked how he was "Death is the great key that opens the palace of Eternity." [77] — John Milton, English poet and intellectual (8 November 1674) Death of the Viscount of Turenne.
It is in this last sense, which became popular in the 16th century, that Shakespeare used the word. "Mortal coil"—along with "the slings and arrows of outrageous fortune", "to sleep, perchance to dream" and "ay, there’s the rub"—is part of Hamlet ’s famous " To be, or not to be " speech.
Shakespeare uses a similar theme again with Leontes in his play, The Winter's Tale. [7] The placement of the sonnet leads many to believe that Shakespeare had a direct relation with the "dark lady" (as referenced as the inspiration for sonnets 127-152). Many scholars believe that Shakespeare had an affair and that a mistress was his inspiration ...
The use of the star imagery is unusual in that Keats dismisses many of its more apparent qualities, focusing on the star's steadfast and passively watchful nature. In the first recorded draft (copied by Charles Brown and dated to early 1819), the poet loves unto death; by the final version, death is an alternative to (ephemeral) love.
An engrossing account of “how Shakespeare became Shakespeare” has been named the greatest-ever winner of the U.K.’s leading nonfiction book prize. James Shapiro’s “1599: A Year in the ...
J. R. R. Tolkien, a philologist and medievalist as well as a fantasy author, recorded that he disliked William Shakespeare's work. [1] In a letter, he wrote of his "bitter disappointment and disgust from schooldays of the shabby use made in Shakespeare [in Macbeth] of the coming of 'Great Birnam wood to high Dunsinane hill'".