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The "Tube Screamer" name was born when Tamura and Hoshino took an OD808 to Sam Ash Music in Manhattan, where Sammy Ash—the company founder's grandson—remarked that the pedal sounded like a "screaming tube amp," and noted that the Dunlop Cry Baby wah-wah pedal was so-named for sounding like a crying baby. As a result, the OD808 was renamed ...
The OD-1's "overdrive" referenced the pedal's asymmetrical-clipping, tube-like distortion, [38] which stood in contrast to the brash sound of "fuzz" pedals on the market. [40] The OD-1's layout was simple—with only "Level" and "OverDrive" controls. It was an immediate success, paving the way for future compact overdrive pedals.
Fulltone USA Inc. is an American manufacturer of effects pedals for the electric guitar.Founded by Michael Fuller in California in 1991, Fulltone was one of the first "boutique" pedal companies [1] and became best-known for its overdrive pedals, the Full-Drive and OCD, with the latter dubbed by Music Radar "one of the most legendary overdrives ever made."
The original RAT was developed in the basement of Pro Co's Kalamazoo, Michigan facility in 1978. [1] Numerous variations of the original RAT pedal are still being produced today; it has become one of best selling guitar effects boxes of all time, with some retailers placing it in their top-ten most-sold pedals. [2]
Since the beginning the Iron Cobra was known for adjustability. Through all the generations, the pedal has had the ability to adjust the footboard angle independently of the beater shaft angle, adjust the beater head angle, adjust the hoop clamp size, adjust the beater shaft length, adjust the feel of the beater with a sliding weight, and adjust the spring tension.
Bikes with child seats or single-child trailers can carry an adult and a child; Bikes with double child trailers can carry an adult and two children; A Sociable has two riders side by side. A tandem or twin has two or more riders behind each other. A triplet has three riders; a quadruplet has four.
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Many treble boosters made in the 1960s were designed to not boost the signal much. Vox even decreased the output of the American made version of their treble booster because they were afraid that the signal would overload the amplifier's input stage. [1] Today, overdriving the input is considered one of the key features of a treble booster.