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  2. Say Hello 2 Heaven - Wikipedia

    en.wikipedia.org/wiki/Say_Hello_2_Heaven

    "Say Hello 2 Heaven" is a song by the American rock band Temple of the Dog. Written by vocalist Chris Cornell, "Say Hello 2 Heaven" was released as the second single from the band's sole studio album, Temple of the Dog (1991). The song reached number five on the Billboard Mainstream Rock Tracks chart.

  3. Abendlied unterm gestirnten Himmel - Wikipedia

    en.wikipedia.org/wiki/Abendlied_unterm...

    " Abendlied unterm gestirntem Himmel" (Evening song under the starry heaven), WoO 150, is a song for high voice and piano by Ludwig van Beethoven composed in 1820. The work is a setting of a poem believed to be by Otto Heinrich von Loeben , who wrote it under the pseudonym H. Goeble.

  4. Imagine (song) - Wikipedia

    en.wikipedia.org/wiki/Imagine_(song)

    Ono watched as he composed the melody, chord structure and almost all the lyrics, nearly completing the song in one brief writing session. [12] Described as a piano ballad [15] performed in the soft rock genre, [16] the song is in the key of C major. [17] Its 4-bar piano introduction begins with a C chord then moves to Cmaj7 before changing to F.

  5. 9 to 5 (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/9_to_5_(soundtrack)

    9 to 5 is the soundtrack album to the 1980 film of the same name.It was released on December 8, 1980, by 20th Century Fox Records.The album features selections from the score by Charles Fox and the theme song, "9 to 5", written and recorded by Dolly Parton.

  6. Just Tell Her Jim Said Hello - Wikipedia

    en.wikipedia.org/wiki/Just_Tell_Her_Jim_Said_Hello

    Elvis Presley recorded the song on March 19, 1962, at RCA Studio B in Nashville, Tennessee.The recording sessions featured Grady Martin on guitar and vibes, Harold Bradley and Scotty Moore on guitar, Bob Moore on bass, Buddy Harman and D.J. Fontana on drums, Floyd Cramer on piano and organ, Boots Randolph on saxophone and vibes.

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.