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The music of the ancient Mayan courts is described throughout native and Spanish 16th-century texts and is depicted in the art of the Classic Period (200–900 AD). The Maya played instruments such as trumpets, flutes, whistles, and drums, and used music to accompany funerals, celebrations, and other rituals.
Jarana performers can be seen performing in Parque Francisco Cantón Rosado in Valladolid, Yucatán, Mexico quite often. Jarana is the name of the dance originally performed during "La vaqueria" celebration but is seen performed throughout the year in various central parks or zócalos throughout the Yucatán including Mérida, Yucatán's capital.
A Yucatec Maya speaker singing with a guitar. Yucatec Maya (/ ˈ j uː k ə t ɛ k ˈ m aɪ ə / YOO-kə-tek MY-ə; referred to by its speakers as mayaʼ or maayaʼ t’aan [màːjaʔˈtʼàːn] ⓘ) is a Mayan language spoken in the Yucatán Peninsula, including part of northern Belize.
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
The [Book of the] Songs of Dzitbalché (Spanish: [El libro de] los cantares de Dzitbalché), originally titled The Book of the Dances of the Ancients, is a Mayan book containing poetry. It is the source of almost all the ancient Mayan lyric poems that have survived, and is closely connected to the Books of Chilam Balam which are sacred books of ...
Chan Santa Cruz was a late 19th-century indigenous Maya state in modern-day Quintana Roo.It was also the name of a shrine that served as the center of the Maya Cruzoob [note 1] religious movement, and of the town that developed around the shrine, now known as Felipe Carrillo Puerto.
A panorama of the Mayapan excavations from the top of the Castle of King Kukulcan. The ethnohistorical sources – such as Diego de Landa's Relacion de las Cosas de Yucatan, compiled from native sources in the 16th century – recount that the site was founded by Kukulcan (the Mayan name of Quetzalcoatl, the Toltec king, culture hero, and demigod) after the fall of Chichen Itza.
In the Tzutujil Maya culture, it was believed that a spirit controlled the power of volcanoes. When the mountain began to grumble and shake, the Tzutujil priests would pick young women and girls who would partake in a large dance ceremony before being sacrificed into the burning mountain. Maya dance rituals often included sacrifice.