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Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
The pastoral elegy is typically incredibly moving and in its most classic form, it concerns itself with simple, country figures. In ordinary pastoral poems, the shepherd is the poem's main character. In pastoral elegies, the deceased is often recast as a shepherd, despite what his role may have been in life.
The poem was set to music by Paul Kelly in his album Nature (2018). The titles of the novels They Shall Have Stars (1956) by James Blish and No Dominion (2006) by Charlie Huston are both taken from the poem. Mithu Sanyal quotes the poem at length in her novel Identitti (2022).
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
Some early Christian poets such as Ausonius continued to include allusions to pagan deities and standard classical figures and allusions continued to appear in his verse. Other Christian poems of the Late Roman Empire, such as the Psychomachia of Prudentius, cut back on allusions to Greek mythology, but continue the use of inherited classical ...
Many of the Graveyard School poets were, like Thomas Parnell, Christian clergymen, and as such they often wrote didactic poetry, combining aesthetics with religious and moral instruction. [3] They were also inclined toward contemplating subjects related to life after death, [ 4 ] which is reflected in how their writings focus on human mortality ...