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The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...
This diagram is a retouched picture, which means that it has been digitally altered from its original version. Modifications: Rework in 2D for ease of interpritation; same numbering so captions may still hold.. The original can be viewed here: Diaphragm.svg: .
iPhone 13 / 13 mini iPhone SE (3rd gen) A14 Bionic 6 GB iPhone 12 Pro / 12 Pro Max 4 GB iPhone 12 / 12 mini A13 Bionic iPhone 11 iPhone 11 Pro / 11 Pro Max 3 GB iPhone SE (2nd gen) A12 Bionic 4 GB iPhone XS / XS Max 3 GB iPhone XR: A11 Bionic iPhone X / 8 Plus iOS 16.7.10: 2 GB iPhone 8: A10 Fusion 3 GB LPDDR4 1600 MHz iPhone 7 Plus iOS 15.8.3 ...
An alternative is to consider the depth of field given by the same lens in conjunction with different sized sensors (changing the angle of view). The change in depth of field is brought about by the requirement for a different degree of enlargement to achieve the same final image size. In this case the ratio of depths of field becomes
Diagram of decreasing apertures, that is, increasing f-numbers, in one-stop increments; each aperture has half the light gathering area of the previous one. The actual size of the aperture will depend on the focal length of the lens. Deep focus is a photographic and cinematographic technique using a large depth of field.
DEP: [3] DEP (DEPth of field) mode, on some Canon cameras, set the aperture to yield the desired depth of field: one point at the nearest object that one wants to be in focus, half-presses the shutter, then points at the farthest object that one wants to be in focus, half-presses the shutter, at which point the camera sets both focus and ...
The f-number (relative aperture) determines the depth of field, and the shutter speed (exposure time) determines the amount of motion blur, as illustrated by the two images at the right (and at long exposure times, as a second-order effect, the light-sensitive medium may exhibit reciprocity failure, which is a change of light sensitivity ...
The presence of these two opposing factors implies a point at which the combined blur spot is minimized (Gibson 1975, 64); at that point, the f-number is optimal for image sharpness, for this given depth of field [22] – a wider aperture (lower f-number) causes more defocus, while a narrower aperture (higher f-number) causes more diffraction.