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The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Break, Break, Break, On The Cold Grey Stones O Sea…, watercolour by Alfred Downing Fripp " Break, Break, Break " is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe ...
A first verse of A Sailor Went To Sea goes as: A sailor went to sea, sea, sea To see what he could see, see, see. But all that he could see, see, see Was the bottom of the deep blue sea, sea, sea. While saying "sea", aquatic waves are mimed with the hand; while saying "see", the hand is brought to the eye to mime a "seeing" gesture.
The Opies have argued for an identification of the original Bobby Shafto with a resident of Hollybrook, County Wicklow, Ireland, who died in 1737. [1] However, the tune derives from the earlier "Brave Willie Forster", found in the Henry Atkinson manuscript from the 1690s, [3] and the William Dixon manuscript, from the 1730s, both from north-east England; besides these early versions, there are ...
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
It is the origin of the phrase "full fathom five", after which there are many cultural references, and is an early written record of the phrase sea change. Through its use of rhyme, rhythm, assonance, and alliteration, the poem sounds like a spell. [2]
This rhyme scheme was extremely popular in French poetry. It was used by Victor Hugo and Charles Leconte de Lisle. In English it is called the tail-rhyme stanza. [2] Bob Dylan uses it in several songs, including the A-strains of You're Gonna Make Me Lonesome When You Go and the B-strains of Key West (Philosopher Pirate).
The rhyme appears in De Morgan's A Budget of Paradoxes (1872) along with a discussion of the possibilities that all particles may be made of clustered smaller particles, "and so down, for ever", and that planets and stars may be particles of some larger universe, "and so up, for ever". [2]