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When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. [1] However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost.
This category contains a selection of articles about the 154 individual sonnets written by William Shakespeare. For more information see Shakespeare's Sonnets Poetry portal
Shakespeare's funerary monument. The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones.
Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
In 1609, Thorpe published the most important work of his career, Shakespeare's Sonnets. His apparent disregard for Shakespeare's permission earned him a poor reputation, although modern author Katherine Duncan-Jones has argued that he was not such a "scoundrel" as he was portrayed, and the amiable and admirable Blount would certainly not associate with him if he were a scoundrel.
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
Sonnet 101 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The three other internal sequences include the procreation sonnets (1–17), the Rival Poet sequence (78–86) and the Dark Lady sequence (127–154).
A sonnet sequence or sonnet cycle is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. This article is about sonnet ...