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Timeline of women's legal rights (other than voting) represents formal changes and reforms regarding women's rights. That includes actual law reforms as well as other formal changes, such as reforms through new interpretations of laws by precedents .
By the end of the 19th century a few western states had granted women full voting rights, [138] though women had made significant legal victories, gaining rights in areas such as property and child custody.
Kansas: Married Women's Property Act grants married women separate economy. [13] 1860. New York's Married Women's Property Act of 1860 passes. [18] Married women are granted the right to control their own earnings. [11] Maryland: Married women are granted separate economy, the right to control their earnings, and trade licenses. [4]
More than half a century before women's history and public history emerged as fields of inquiry and action, the UDC, with other women's associations, strove to etch women's accomplishments into the historical record and to take history to the people, from the nursery and the fireside to the schoolhouse and the public square.
Woman in the Nineteenth Century, 1845. Woman in the Nineteenth Century is a book by American journalist, editor, and women's rights advocate Margaret Fuller. Originally published in July 1843 in The Dial magazine as "The Great Lawsuit. Man versus Men. Woman versus Women", it was later expanded and republished in book form in 1845.
Five women officers of the Women's League in Newport, Rhode Island, c. 1899. The club movement [1] is an American women's social movement that started in the mid-19th century and spread throughout the United States. [1] It established the idea that women had a moral duty and responsibility to transform public policy.
The Early Feminists: Radical Unitarians and the Emergence of the Women’s Rights Movement, 1831–51 (Palgrave Macmillan UK, 1995). Gorham, Deborah. The Victorian girl and the feminine ideal (Routledge, 2012). Hawkins, Sue. Nursing and women's labour in the nineteenth century: the quest for independence (Routledge, 2010). Kent, Christopher.
Women artists became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". [26] In the late 19th century, Charles Dana Gibson depicted the "New Woman" in his piece, The Reason Dinner was Late, which shows a woman painting a policeman. [27] [28]