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Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels.
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
Victorian literature is English literature during the reign of ... Emily's only work, is an example of Gothic Romanticism from a woman's point of view, which ...
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
A common Gothic influence seen in the sensation novels is the search for a secret. Moreover, crime scenes at wells or near water are symbolic of the "depth" which is a key element of Gothic fiction. The sensation novel puts a modern spin on the classic Gothic ghost stories by placing the stories in contemporary settings and this produces the ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel .
Its literary forebears included the melodramatic novels and the Newgate novels, it also drew on the Gothic and romantic genres of fiction. [71] Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fictionof the Victorian era – combining "romance and realism" in a way ...