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Sir Roger George Moore (14 October 1927 – 23 May 2017) was an English actor. He was the third actor to portray Ian Fleming's fictional secret agent James Bond in the Eon Productions/MGM Studios film series, playing the character in seven feature films: Live and Let Die (1973), The Man with the Golden Gun (1974), The Spy Who Loved Me (1977), Moonraker (1979), For Your Eyes Only (1981 ...
James Bond is a fictional character created by British novelist Ian Fleming in 1953. A British secret agent working for MI6 under the codename 007, Bond has been portrayed on film in twenty-seven productions by actors Sean Connery, David Niven, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig.
Live and Let Die is a 1973 spy film, the eighth film in the James Bond series produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman, while Tom Mankiewicz wrote the script.
The Spy Who Loved Me is a 1977 spy film, the tenth in the James Bond series produced by Eon Productions. It is the third to star Roger Moore as the fictional secret agent James Bond. The film co-stars Barbara Bach and Curt Jürgens and was directed by Lewis Gilbert.
Roger Moore’s 007 teams up with Bouquet to exact vengeance, which involves scaling a seemingly impossible cliff in Greece and being chased on skis by Euro-goons on motorcycles.
For Your Eyes Only is a 1981 spy film directed by John Glen (in his feature directorial debut) and produced by Albert R. Broccoli.The film stars Roger Moore as the fictional MI6 agent James Bond, and co-stars Carole Bouquet, Chaim Topol, Lynn-Holly Johnson and Julian Glover.
Former 'James Bond' actor Roger Moore has died in Switzerland after a short battle with cancer at 89.
Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody.