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The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Both the 5150 and the 6505 are well known for their high gain overdrive channel, and have seen widespread use by rock, hardcore and metal guitarists. An early breakthrough was its use by Colin Richardson and Andy Sneap, two "seminal" British producers of heavy metal; especially Machine Head's Burn My Eyes (1994) helped the 5150 gain a reputation for its sound, which "defined a generation of ...
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack , it became associated with Swedish death metal and gained a cult following in the heavy metal scene .
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
For all of its differences when compared with the Bassman, the sound of the JTM45 is still described as "like a tweed Fender", and is favored for blues and rock rather than for hard rock and metal. [12] The JTM 45 delivers a smooth Marshall sound with a warm bass response due to the EL34/KT66 valves. [citation needed]
There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive. The 75W Fender Rumble 75 Bass Combo Amp can produce an overdrive effect by using the gain and blend controls, giving overdrive sounds ranging from "mellow warmth [to] heavy distorted tones". [ 13 ]
The song has an unusual structure: it opens with a fast thrash section, shifting at 2:26 after an acoustic bridge by Marty Friedman to a different, slower and heavier section called "The Punishment Due", [4] interspersed by two guitar solos played by Friedman, before speeding up again with a third and final solo played during this segment by Dave Mustaine.