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Fatum, or Фатум, meaning Fate, is a "symphonic fantasy" by Pyotr Ilyich Tchaikovsky, given the opus number 77 after his death but more representatively listed in the Tchaikovsky Handbook as TH41. It was written in 1868 and premiered the following year.
Similar in structure to Tchaikovsky's better-known Romeo and Juliet fantasy-overture, it contains themes depicting the stillness of the ship at sea, the grotesque nature of Caliban, and the love between Ferdinand and Miranda. The love music is particularly strong, being reminiscent of the love music from Romeo and Juliet.
For example, Romeo and Juliet's love is a light in the midst of the darkness of the hate around them, but all of their activity together is done in night and darkness while all of the feuding is done in broad daylight. This paradox of imagery adds atmosphere to the moral dilemma facing the two lovers: loyalty to family or loyalty to love. At ...
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
To him were attributed a variety of incredibly passionate romantic Arabic poems, considered among the foremost examples of the Udhari school. The Butterfly Lovers is a Chinese legend about the tragic romance between two lovers, Liang Shanbo and Zhu Yingtai. The legend is sometimes regarded as the Chinese equivalent to Romeo and Juliet. [9] [10]
Romeo enters the church where Juliet lies and consumes the poison just as Juliet wakes up. Distraught over Romeo’s death, Juliet picks up his gun and shoots herself in the head, falling down beside his lifeless body. Romeo's body is being taken inside an ambulance with a crowd of spectators and reporters observing the incident from behind the ...
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In the first movement of the Fourth Symphony, he introduces a highly rhythmic theme in the brass. The structure of this movement is made up of a complete series of rotating thirds, from F to A ♭, B D and back to F, then a recapitulation to a third below the tonic. The brass theme delineates each stage of the structure.