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Daswanth is referenced in the Ain-i-Akbari, a document recording the administration of the Mughal empire, as one of the top three most important artists in this period, and again in the Akbarnama, a book detailing the reign of Akbar, as having great artistic talent. [1] In contrast to 'Abd al Samad, his works were imaginative and original. [4]
The Shah Jahan Album, also known as the Kevorkian Album or the Emperor's Album, is a series of Mughal miniatures dating between 1620–1820 from Mughal India. The album was intended for a private audience, likely consisting of the royal family and close friends. [ 1 ]
Govardhan (fl. 1595–1640) [1] was a Mughal era Indian painter of the Mughal school of painting. His father Bhavani Das, had been a minor painter in the imperial workshop. Like many other Mughal painters, they were Hindus. He joined the imperial service during the reign of Akbar and he continued his work till the reign of Shah Jahan. The ...
The inscription on this Mughal painting identifies it as a portrait of emperor Jahangir and his three sons, but what we see today are the faces of Shah Jahan (r. 1628-57 CE) and his three eldest sons - Dara Shikoh (1615-59 CE), Shah Shuja' (1616-59 CE) and Awrangzeb (1618-1707 CE) - and their maternal grandfather, Asaf Khan, on the right.
Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Bichitr (fl. 17th century) was an Indian painter during the Mughal period, patronized by the emperors Jahangir and Shah Jahan. [1] The earliest known painting of his is a mature work from c. 1615. Most of his paintings are formal portraits, and a large number of portraits in the 1630s are credited to him.
Patna Kalam is an off-shoot of both Mughal painting and of Company style art. [3] The Mughal style of painting matured in the regime of Jahangir , and his period was considered the golden era of Mughal paintings, [ 6 ] but during the rule of Aurangzeb in the late 17th and early 18th century, artisans faced mass prosecution and aversion in art ...