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Wang Xianzhi (simplified Chinese: 王献之; traditional Chinese: 王獻之; pinyin: Wáng Xiànzhī; Wade–Giles: Wang Hsien-chih, 344–386), courtesy name Zijing (子敬), was a famous Chinese calligrapher of the Eastern Jin dynasty. Xianzhi was born to the Wang clan of Langya, an influential kin group descended from the Qin dynasty general ...
Wang's gathering included six of his sons (Xuanzhi, Ningzhi, Huanzhi, Suzhi, Huizhi, and Xianzhi), as well as Xie An, Sun Chuo, and the Buddhist monk Zhi Dun. [ 36 ] [ 37 ] The participants of the Orchid Pavilion Gathering took part in a " winding stream party ", a customary drinking game in which they composed poetry while cups containing rice ...
Wang Xianzhi may refer to: Wang Xianzhi (calligrapher) (344–386), influential calligrapher of the Jin dynasty;
The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
He battered Wang Xianzhi on the head, and the rebel soldiers also clamored against the arrangement. Wang Xianzhi, fearing the wrath of his own army, turned against Pei and pillaged Qi Prefecture. However, afterwards, the rebel army broke up into two groups, with one group following Wang Xianzhi and Shang Junzhang, and one group following Huang. [1]
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
Rebellion of Wang Xianzhi: Tang dynasty: Chinese peasants and bandits under Wang Xianzhi and Shang Junzhang Suppression of the rebellion, though Tang dynasty is severely weakened [11] 875–884 Rebellion of Huang Chao: Tang dynasty: Chinese peasants and bandits under Huang Chao Suppression of the rebellion, though Tang dynasty is severely ...
Strongly influenced by the style of the "Two Wangs" (Wang Xizhi and Wang Xianzhi) of the Eastern Jin, Michikaze's running script brushwork combines the softer feel of the Jin while retaining the robustness of the Tang, though the variation of stroke thickness within single characters is less dynamic as classical brush techniques are not ...