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Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch ...
Original file (Ogg multiplexed audio/video file, Theora/Vorbis, length 44 s, 4,096 × 2,304 pixels, 1.48 Mbps overall, file size: 7.78 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
XAVC can record 4K resolution at 60 fps with 4:2:2 chroma subsampling at 600 Mbit/s. [11] [12] A 128 Gigabyte SxS PRO+ media card can record up to 20 minutes of 4K resolution XAVC video at 60 fps, up to 40 minutes of 4K resolution XAVC video at 30 fps, and up to 120 minutes of 2K resolution XAVC video at 30 fps. [9] [10] [11] [12]
On September 5, 2014, the Blu-ray Disc Association announced that the 4K Blu-ray Disc specification would support HEVC-encoded 4K video at 60 fps, the Rec. 2020 color space, high dynamic range (PQ and HLG), and 10-bit color depth. [87] [88] 4K Blu-ray Discs have a data rate of at least 50 Mbit/s and disc capacity up to 100 GB.
AOMedia Video 1 (AV1) is an open, royalty-free video coding format initially designed for video transmissions over the Internet. It was developed as a successor to VP9 by the Alliance for Open Media (AOMedia), [2] a consortium founded in 2015 that includes semiconductor firms, video on demand providers, video content producers, software development companies and web browser vendors.
Non-free video samples should use the licensing template {{Non-free video sample}}. Media in category "Video samples of films" The following 29 files are in this category, out of 29 total.
Juice (Original Motion Picture Soundtrack) is the soundtrack album to Ernest Dickerson's 1992 crime film Juice. It was released on December 31, 1991, through SOUL/MCA Records and consists mainly of hip-hop and R&B music. [8] The album peaked at number 17 on the Billboard 200 and number 3 on the Top R&B/Hip-Hop Albums in the United States.