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G.I. Samurai (戦国自衛隊, Sengoku jieitai, Sengoku Self Defense Force) aka Time Slip, is a 1979 Japanese science fiction/action film focusing on the adventures of a modern-day Japan Ground Self-Defense Force (JGSDF) and Japan Maritime Self-Defense Force (JMSDF) team that accidentally travels in time to the Warring States period (戦国時代, Sengoku jidai).
Samurai Commando: Mission 1549, known in Japan as Sengoku Self-Defense Forces 1549 (戦国自衛隊1549, Sengoku Jieitai 1549), is a 2005 Japanese feature-length film and manga series focusing on the adventures of a modern-day Japan Ground Self-Defense Force element that accidentally travels through time to the Warring States period of Japanese history.
Pages in category "Japan Self-Defense Forces in fiction" The following 43 pages are in this category, out of 43 total. This list may not reflect recent changes .
The JSDF's self-defence system is known as Jieitaikakutōjutsu (meaning Japan Self-Defense Force Combatives or Self-Defense Forces martial arts.) The first system was adopted in 1959, based on the bayonet and knife techniques used during Imperial Army times with an added hand-to-hand combat curriculum based on Nippon Kempo and Tomiki-Ryu Aikido ...
The Japan Self-Defense Forces (自衛隊, Jieitai) are the military of Japan. Under Article 9 of the Japanese Constitution , Japan is not permitted to go to war, and instead maintains a "defense force" for the country's own self-defense ; though in real life this clause came about under American occupation, it can be assumed this also occurred ...
The Japanese authorities and media believe this to be Frankenstein's doing and Frankenstein narrowly escapes being hunted down by the Japan Self-Defense Forces. Before Bowen and his team dismiss Frankenstein, Kawai returns to tell them that Frankenstein may not be responsible for the disasters; it could be the monster (Baragon) he saw in Akita.
The primary organizations of the Kerberos Saga are the Metropolitan Security Police Organization, a paramilitary counterterrorist police organization operating in Tokyo; the Self-Police, the local police forces of municipalities and prefectures, most prominently the Tokyo Metropolitan Self-Police Department; and the Japanese Self-Defense Forces.
In the film, Earth's defense forces unite to combat an extraterrestrial race that desires to intermarry with human women and settle on the planet. Inspired by the success of big-budget science fiction films in Japan and the United States, Toho executives became keen on producing a science fiction epic of their own.