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The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to appear, consisting of only a handful of lighter solos until the 1960s.
Piano line in the intro is octatonic, bass synth adds a ninth tone. Adi Morag "Octabones" (1999) Orbital; Oolaa from the Green Album. Suraj Synthesist Khayaal , a lil fantasy [16] [17] Gilad Hochman; Closer for two alto saxophones (2022) Polarizations for solo viola (2023) Dream Theater; The Dark eternal night [18]
"I See Fire" was well received in Oceania. In New Zealand, single peaked at number 1 for three weeks. [27] It was certified triple platinum by the Recorded Music NZ, denoting sales of 45,000 copies. "I See Fire" is the 6th top-selling single in New Zealand in 2014. [28] In Australia, the single peaked at number 10 for 3 non-consecutive weeks. [29]
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
Simone Mantia, a pioneer of American euphonium music, composed a theme and variations on the melody, which remains a staple of the solo euphonium literature. Little Virgie (Shirley Temple) sings the song to her father in the 1935 film The Littlest Rebel. It is used in the film The Informer by John Ford.
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2008 Devil's Duel, for solo euphonium solo and concert band; 2008 Eternal Light, for concert band (dedicated to Geoffrey Brand and Michael Brand) 2008 Lament (from Macbeth), for brass band or concert band; 2009 Epitaph (for Hillsborough), for brass band (or concert band) - in memory of the 96 victims of the Hillsborough disaster
The clavier à lumières ("keyboard with lights"), or tastiera per luce, as it appears in the score, was a musical instrument invented by Alexander Scriabin for use in his work Prometheus: Poem of Fire. Only one version of this instrument was constructed, for the performance of Prometheus: Poem of Fire in New York City in 1915. [1]