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The grey, black, and white painting, on a canvas 3.49 meters (11 ft 5 in) tall and 7.76 meters (25 ft 6 in) across, portrays the suffering wrought by violence and chaos. Prominently featured in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames.
Whistlejacket is an oil-on-canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the ...
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. Bonheur added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm). [1]
Lion Seizing a Horse, restored Roman copy of Hellenistic original, Palazzo dei Conservatori. The series are mostly oil paintings on canvas, but also include examples of enamel on copper, original engravings, and even a relief model in Wedgwood clay. The white horse was painted from one of the Kings Horses in the Mews, secured for the artist by ...
A large royal coat of arms of the House of Stuart stands to the lower left of the painting – of four quarters: first and fourth the fleur-de-lys of France quartering the three lions of England, second the double tressured lion of Scotland, and third the harp of Ireland – surmounted by a large crown. The painting is oil on canvas and ...
The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
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