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Vietnamese also has 14 vowel nuclei, and 6 tones that are integral to the interpretation of the language. Older interpretations of Vietnamese tones differentiated between "sharp" and "heavy" entering and departing tones. This article is a technical description of the sound system of the Vietnamese language, including phonetics and phonology.
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam.The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of the Democratic Republic of Vietnam in 1946 (as per the 1946 constitution) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam.
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
It provides a set of symbols to represent the pronunciation of Vietnamese in Wikipedia articles, and example words that illustrate the sounds that correspond to them. Integrity must be maintained between the key and the transcriptions that link here; do not change any symbol or value without establishing consensus on the talk page first.
"Goodnight Saigon" is a song written by Billy Joel, originally appearing on his 1982 album The Nylon Curtain, about the Vietnam War. It depicts the situation and attitude of United States Marines beginning with their military training on Parris Island and then into different aspects of Vietnam combat.
In Vietnam, the people played sáo when resting on the fields or before going to sleep at night. By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its register. [ 1 ]