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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Eftersommar (Late Summer) an early naturalistic work, painted by af Klint in 1903, an example of the works she exhibited to the public during her lifetime. Hilma af Klint was the fourth child of Mathilda af Klint (née Sonntag) and Captain Victor af Klint, a Swedish naval commander, and she spent summers with her family at their manor, "Hanmora", on the island of Adelsö in Lake Mälaren.
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
This is a list of women artists who were born in England or whose ... (born 1950), abstract painter; Daphne ... Sarah Stone (1760–1844), natural history artist; ...
Sarah Grilo (circa 1919 [1] – 2007) was an Argentine painter who is best known for her abstract gestural paintings. Married to the artist José Antonio Fernández-Muro, she lived in Buenos Aires, Paris, New York and Madrid. She is considered one of the most important Latin American artists of the 20th century. [2] [3] [4]
This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement." [30] [31] In 1953, Kenneth Noland and Morris Louis saw her Mountains and Sea which, Louis said later, was a "bridge between Pollock and what was possible."
Schapiro's artwork blurs the line between fine art and craft. [2] She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art.