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The word "Mmanwu" in Igbo means "spirits of the dead". [1] It is the combination of two Igbo words "mmuo" or "maa" which means spirit and "onwu" which means death. [2] This refers to the purpose behind Mmanwu which is to create physical representations of spirits and ancestors through the adornment of the masks.
The performances showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl's features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
People frequently question whether the man wearing the mask is indeed a man because she constantly looks stunning in colorful attire and dances so smoothly. Mkpamkpanku [6] There are many masculine aspects in this masquerade, which is quite stern. They are typically well-known in their own right, swift, aggressive, and nimble.
Ijele is the largest mask system ever to enter the history of the world masking tradition. It comprises two segments: the upper and the lower segments, divided at the centre by a big python. The upper segment is called Mkpu Ijele while the lower segment is called Akpakwuru Ijele or Ogbanibe and the centre is called Eke - Ogba (Python).
Igbo art (Igbo: Ǹkà Igbo) is any piece of visual art originating from the Igbo people. The Igbo produce a wide variety of art including traditional figures, masks, artifacts and textiles, plus works in metals such as bronze. Artworks from the Igbo have been found from as early as 9th century with the bronze artifacts found at Igbo Ukwu.
Adamma Dance as recorded by the Audiovisuals of Igbo Dances (AID) Project. Adamma is a contemporary maiden spirit mask that originates from the Enugu-Igbo of southeastern Nigeria. The mask is performed by men only and is accompanied by music that the masker dances to. Unlike other Igbo masks Adamma mask does not have any spiritual value behind ...
Ukara ekpe cloths are woven in Abakaliki, and then they are designed by male Nsibidi artists in the Igbo-speaking towns of Abiriba, Arochukwu and Ohafia to be worn by members of the Ekpe society. Symbols including lovers, metal rods, trees, feathers, hands in friendship war and work, masks, moons, and stars are dyed onto ukara cloths.
An Igbo man with facial marks of nobility known as Ichi [1]. Ichi was a form of facial ritual scarification worn by mainly men of the Igbo people of Nigeria.The scarification indicated that the wearer had passed through initial initiation into the aristocratic Nze na Ozo society, [2] thus marking the wearer as nobility.