Ad
related to: henri matisse britannica
Search results
Results From The WOW.Com Content Network
Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship.
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions.Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right.
Woman with a Hat (French: La femme au chapeau) is an oil-on-canvas painting by Henri Matisse.It depicts Matisse's wife, Amélie Matisse. [1] It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Henri Matisse painted "Woman in White" in 1946. For now, the vibrant painting is one road, stopping stateside and then overseas.
Blue Nude (Souvenir of Biskra) (French: "Nu bleu, Souvenir de Biskra"), an early 1907 oil painting on canvas by Henri Matisse, is located at the Baltimore Museum of Art as part of the Cone Collection. [1]
This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954). He is admired for his use of color and his fluid, brilliant and original draughtsmanship. He was a Master draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Bathers by a River (French: Les Demoiselles à la rivière), also known as Bathers at the River and occasionally referred to as simply Bathers, is a large 1917 oil-on-canvas painting by French artist Henri Matisse. [2]
In March 1909, Matisse painted a preliminary version of this work, known as Dance (I). [3] It was a compositional study and uses paler colors and less detail. [4] The painting was highly regarded by the artist who once called it "the overpowering climax of luminosity"; it is also featured in the background of Matisse's Nasturtiums with the Painting "Dance I", (1912).