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5) But He was wounded for our transgressions; He was bruised for our iniquities. The chastisement of our peace was upon Him, and with His stripes we are healed. 6) All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on Him the iniquity of us all. [2]
But he was wounded because of our sins, and he became sick because of our lawless acts. The discipline of our peace was upon him; by his bruise we were healed. We all have been misled like sheep; each person was misled in his own path, and the Lord handed him over for our sins. Isaiah 53:4-6, Lexham English Septuagint [41]
Man of Sorrows is a small Early Netherlandish oil on wood panel painting completed c. 1485–1495. It is attributed to Geertgen tot Sint Jans and in the tradition of the devotional images of the "Man of Sorrows", which typically show Christ before his crucifixion, naked above the waist, bearing the wounds of his Passion.
In the same key the chorus continues with a fugue "And with His stripes we are healed". The theme begins with a sequence of five long notes, which Mozart quoted in the Kyrie-fugue of his Requiem. The characteristic ascending fourth opens the countersubject. The word "healed" is later stressed by both long melismas and long notes.
The name "Stryper" derives from Isaiah 53:5, from the King James Version of the Bible. [2] "But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed." [3] The passage is frequently included as part of their logo. [2]
He gave his back to his smiters: Air A: Isaiah 53:3 Isaiah 50:6: Songs of the suffering servant 4, 3: 24 / 21: Surely, He hath borne our griefs and carried our sorrows: Chorus: Isaiah 53:4–5: Man of Sorrows, 4 continued 25 / 22: And with His stripes we are healed: Chorus: Isaiah 53:5: 26 / 23: All we like sheep, have gone astray: Chorus ...
And with his stripes we are healed (fugue chorus) All we like sheep have gone astray (duet chorus) All they that see him laugh him to scorn (secco recitative for tenor) He trusted in God that he would deliver him (fugue chorus) Thy rebuke hath broken his heart (tenor or soprano) Behold and see if there be any sorrow (tenor or soprano)
The Hebrew scriptures were an important source for the New Testament authors. [13] There are 27 direct quotations in the Gospel of Mark, 54 in Matthew, 24 in Luke, and 14 in John, and the influence of the scriptures is vastly increased when allusions and echoes are included, [14] with half of Mark's gospel being made up of allusions to and citations of the scriptures. [15]