Ads
related to: jazz background images free
Search results
Results From The WOW.Com Content Network
Original file (843 × 1,218 pixels, file size: 966 KB, MIME type: image/png) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton , rather than Kane. [ 2 ]
Cover of Jazz by Henri Matisse. Henri Matisse’s Jazz is a limited-edition art book containing prints of colorful cut-paper collages, accompanied by the artist's written thoughts. It was first issued on September 30, 1947, by art publisher Tériade. The portfolio, characterized by vibrant colors, poetic texts, and circus and theater themes ...
Peter Brötzmann is a key figure in European free jazz. Free jazz was played in Europe in part because musicians such as Ayler, Taylor, Steve Lacy, and Eric Dolphy spent extended periods of time there, and European musicians such as Michael Mantler and John Tchicai traveled to the U.S. to
Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. [1]
Barbara Ann "Bobbi" Humphrey (born April 25, 1950) is an American jazz flautist and singer. She has recorded twelve albums over the course of her career, mostly playing jazz fusion, funk, and soul-jazz. In 1971, she was the first female instrumentalist signed by Blue Note and in 1994, she founded the jazz label Paradise Sounds Records. [1] [2]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.