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Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song ...
The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit.
"The Little Lost Child" is a popular song of 1894 by Edward B. Marks and Joseph W. Stern, with between one and two million copies in sheet music sales. [2] Also known after its first three words as "A Passing Policeman", [3] it is usually considered to have been the first work promoted as an illustrated song (an early precursor of the music video).
By the time the listener can identify a mis-stressed word, the song has already moved onto new words and melodies, and the word can no longer live up to its full meaning in context. Most times, the listener’s focus will move forward with the song, latching onto new words and ideas that are easier to identify and recognize, leaving the mis ...
“A Cradle Song” follows a couplet structure where each pair of lines rhyme. This lends the poem a graceful sound and makes it easy to sing. While writing this poem, Blake drew from the image of a mother sitting over her infant while the baby is in her crib falling sleep.
The editors of Exploring Poetry believe that the meaning of the poem and its form are intimately bound together. They state that "since the poem is composed of one sentence broken up at various intervals, it is truthful to say that 'so much depends upon' each line of the poem. This is so because the form of the poem is also its meaning."
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The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create). One might think of a poem as, in the words of William Carlos Williams, [2] a "machine made of words." [3] A reader analyzing a poem is akin to a mechanic taking apart a machine in order to figure out how it works. There are many different reasons to analyze ...