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Fugue Machine is a "multi-playhead" sequencer where the user creates a melody sequence for four playheads to perform at different tempos, directions, and pitches. [2] The melody is programmed by two-finger panning, which allows the user to change the position of multiple notes, and three-finger panning which alters the velocity and length of MIDI notes. [3]
A guitarist can input any single-note melody line (no chords) and the software can generate, as a learning tool, a Lenny Breau or Joe Pass style chord solo with chords that the user can actually reach that are shown on a screen window of a guitar fretboard. The user can specify just how close the chords must be, e.g., "within five frets".
Musipedia, on the other hand, can identify pieces of music that contain a given melody. Shazam finds exactly the recording that contains a given snippet, but no other recordings of the same piece. Musipedia is included in some library catalogs on music-finding, which include other papers and online resources. [3]
A melody (from Greek μελῳδία (melōidía) 'singing, chanting'), [1] also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm , while more figuratively, the term can include other musical elements such as ...
The Game Boy uses two pulse channels (switchable between 12.5%, 25%, 50% and 75% wave duty cycle), a channel for a 4-bit waveform generator, and a pseudo-random-noise generator. The Commodore 64 however used the MOS Technology SID chip which offered 3 channels, each switchable between pulse, saw-tooth, triangle, and noise. Unlike the Game Boy ...
The disks are rotated to align the letters of the alphabet with compound musical symbols to encrypt the message. When the melody is written out on a music staff, the corresponding clef and time signature are added to the beginning to indicate the cipher key (which the recipient aligns on their disk to decipher the message).
Pedro Patricio observed in 2012 that, by using a Shepard tone as a sound source and applying it to a melody, he could reproduce the illusion of a continuously ascending or descending movement characteristic of the Shepard Scale. Regardless of the tempo and the envelope of the notes, the auditory illusion is effectively maintained. The ...
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.