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The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Joachim Murat (/ m j ʊəˈr ɑː / mure-AH, also / m ʊ ˈ r ɑː t / muurr-AHT, French: [ʒɔaʃɛ̃ myʁa]; Italian: Gioacchino Murat; 25 March 1767 – 13 October 1815) was a French Army officer and statesman who served during the French Revolutionary and Napoleonic Wars.
Marshall Amplification, (since 2023 a subsidiary of Swedish based Marshall Group) is a Swedish/British company that designs and manufactures music amplifiers and speaker cabinets. Founded 1962 in London by shop owner and drummer Jim Marshall , the company is based in Bletchley , Milton Keynes , England.
Marshall JCM800; Marshall JTM45; Marshall Major This page was last edited on 24 September 2017, at 22:14 (UTC). Text is available under the Creative Commons ...
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
Murad IV was born on 27 July 1612 to Ahmed I (reign 1603 – 1617) and his consort and later wife Kösem Sultan, an ethnic Greek. [3] After his father's death when he was six years old, he was confined in the Kafes with his brothers, Suleiman, Kasim, Bayezid and Ibrahim.
Marshall “Major” Taylor, the Indianapolis-born Black cycling star, could receive one of Congress’s highest honors, 91 years after his death and burial in an unmarked grave in Illinois.
Major Pachelbel's Canon: I–V–vi–iii–IV–I–IV–V: 5: Major Passamezzo antico: i–VII–i–V–III–VII–i–V–i: 4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V ...