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A greater variety in the patterns and functions exist in Ewe kente, and the symbolism of the patterns often has more to do with daily life than with social standing or wealth. Dagbon: The people are specialised in weaving the Chinchini. This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the ...
Strip-woven textile design: African fabric. Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual.
The production of these imitation wax-print fabrics, allow those who cannot afford the European imported wax prints to be able to purchase them. The fancy print designs often mimic or copy the designs of existing wax print designs but as they are cheaper to make, manufacturers tend to take risks and experiment with new designs. [15]
Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending ...
The pattern was only used only for status and royal ceremonies, but gradually became a commonly used design in Akwete weaving. Upon the arrival of Christianity to Akwete, weavers crafted the "Ikperendioma" pattern, meaning "the good people's knees". This motif displayed kneeling Christians worshiping in a churchlike setting.
The first quilt showed a bolt of lightning signifying power, held in the hand of a black worker." [4] Altogether, Ruth and the group of women quilters constructed six quilts, known as the "T.V.A. quilts," of which three are remaining; they have been exhibited at the Museum of Arts and Design and the Michigan State University Museum, among others.
The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
This style of African-American quilts was categorized by its bright colors, organization in a strip arrangement, and asymmetrical patterns. Quilt by Lucy Mingo c. 1979. The first nationwide recognition of African-American quilt-making came when the Gee's Bend quilting community of Alabama was celebrated in an exhibition that opened in 2002 and ...