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H. A. Kelly in Divine Providence in the England of Shakespeare's Histories (1970) [5] examines political bias and assertions of the workings of Providence in (a) the contemporary chronicles, (b) the Tudor historians, and (c) the Elizabethan poets, notably Shakespeare in his two tetralogies, (in composition-order) Henry VI to Richard III and ...
However, Shakespeare's celebration of Tudor order is less important in these plays than his presentation of the spectacular decline of the medieval world. Some of Shakespeare's histories—notably Richard III —point out that this medieval world came to its end when opportunism and Machiavellianism infiltrated its politics.
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years. [citation needed]
Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet, Othello, and King Lear. [160] [162] [163] The reconstructed Globe Theatre on the south bank of the River Thames in London. After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James.
The term Henriad was popularized by Alvin Kernan in his 1969 article, "The Henriad: Shakespeare’s Major History Plays" to suggest that the four plays of the second tetralogy (Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V), when considered together as a group, or a dramatic tetralogy, have coherence and characteristics that are the primary qualities associated with literary epic ...
Asimov's Guide to Shakespeare, vols I and II (1970), ISBN 978-0-517-26825-4. Gramercy Books. Gramercy Books. Nearly 800 pages long plus an index, the work was originally published in two volumes; Greek, Roman and Italian in the first and 'The English Plays' in the second.
Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.
He is widely regarded as having made a significant contribution to the study of Shakespearean sources, texts and reception, to influence study and the endurance of the classics, to ecocriticism, to the revived reputations of Shakespeare's Titus Andronicus and of the poet John Clare, as well as to the sustaining of public discourse about the ...