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January 19 – The Salzburg Festival is revived. [1]September 4 – City of Birmingham Orchestra (England) first rehearses (in a city police bandroom). Later this month, its first concert, conducted by Appleby Matthews, opens with Granville Bantock's overture Saul; in November it gives its "First Symphony Concert" when Edward Elgar conducts a programme of his own music in Birmingham Town Hall.
Late 1920s music trends Louis Armstrong becomes one of the most renowned and iconic figures in the world of jazz. His work during this period is a synthesis of African American folk song, the music of the cabarets and the veneration of virtuosity in the Chicago music scene. [193] With the rise of talking pictures, the first movie musicals are ...
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
The 1920s brought new styles of music into the mainstream of culture in avant-garde cities. Jazz became the most popular form of music for youth. [ 60 ] Historian Kathy J. Ogren wrote that, by the 1920s, jazz had become the "dominant influence on America's popular music generally". [ 61 ]
1920s in music by country (13 C) / Music festivals established in the 1920s (5 C) 0–9. 1920 in music (10 C, 7 P) 1921 in music (11 C, 5 P) 1922 in music (11 C, 6 P)
1920 in music by country (1 C) / Music festivals established in 1920 (2 P) C. 1920 compositions (2 C, 38 P) M. Musical groups disestablished in 1920 (2 P)
Music portal; 1920s portal; Songs written or first produced in the decade 1920s, i.e the years 1920 to 1929 1870s; 1880s; 1890s; 1900s ... Pages in category "1920s songs"
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).