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From mid-2007, performers were granted moral rights in recordings of their performances, similar, but not identical, to the moral rights granted to authors. [29] These were introduced as a result of Australia's ratification of the WIPO Performances and Phonograms Treaty, which was required by the Australia's free trade agreement with Singapore, and the Australia-United States Free Trade Agreement.
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Moral rights are concerned with the non-economic rights of a creator. They protect the creator's connection with a work as well as the integrity of the work.
Lump sums paid in advance by publications to non-resident aliens are taxable income under the Revenue Act and are indistinguishable from "royalties" paid over time within the meaning of that Act. F. W. Woolworth Co. v. Contemporary Arts, Inc.
If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression.
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