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Spencer Perry at SuperHeroHype considers Part 1 to be "one of the best Batman films ever made", scoring it nine out of ten. [15] Noel Murray of The A.V. Club gave Part 1 a grade B+, saying that "there are ways in which the animated Dark Knight Returns gets across Miller's vision even better than the comics page did." [16]
The Dark Knight is held in high regard by critics and earned over $1 billion globally. Watch The Dark Knight on Max, and Hulu and Amazon Prime Video with a premium subscription. The Dark Knight ...
Batman: The Dark Knight Returns – Part 1: September 25, 2012 Duology The Dark Knight Returns: 16 Batman: The Dark Knight Returns – Part 2: January 29, 2013 17 Superman: Unbound: May 7, 2013 Standalone Superman: "Brainiac" 18 Justice League: The Flashpoint Paradox: July 30, 2013 DCAMU [5] Flashpoint: 19 Justice League: War: February 4, 2014 ...
The Dark Knight Returns – Part 1: Based on The Dark Knight Returns series by Frank Miller. 2013 The Dark Knight Returns – Part 2: Superman: Unbound: Based on the Superman: Brainiac storyline by Geoff Johns and Gary Frank. Justice League: The Flashpoint Paradox: First film set in the DC Animated Movie Universe.
The Dark Knight Rises (2012) With the momentum of The Dark Knight , the final film in Nolan’s trilogy was a huge box office success — and the highest-earning Batman movie ever.
The Dark Knight Returns (alternatively titled Batman: The Dark Knight Returns but originally titled Batman: The Dark Knight) is a 1986 four-issue comic book miniseries starring Batman, written by Frank Miller, illustrated by Miller and Klaus Janson, with color by Lynn Varley, and published by DC Comics.
Frank Miller (born January 27, 1957) [1] [2] is an American comic book artist, comic book writer, and screenwriter known for his comic book stories and graphic novels such as his run on Daredevil, for which he created the character Elektra, and subsequent Daredevil: Born Again, The Dark Knight Returns, Batman: Year One, Sin City, Ronin, and 300.
Batman Returns began as a victory lap for Burton, who had successfully stage managed the 1989 original into a pop culture force after years of never-were attempts by the likes of Ivan Reitman and ...