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At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium ...
By comparison, the gestures of figures are far more restrained, making presence more important than performance. The art techniques used in both versions is the Trompe-l'œil style which seems to allow characters to move in their gestures, as a means to grab the attention of the observers. [2]
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Baroque art served as an extension of the influence of the Catholic Church, most often depicting historical and religious imagery through heightened realism. Judith is a figure that has been both embraced and rejected by the Catholic and Protestant denominations through time. [ 4 ]
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. [1] [2] It is funded by the National Endowment for the Humanities. [3]
It’s an early example of how art was used to convey political messages and social commentary. Historical Background The Night Revels of Han Xi-Zai is a perfect example of ancient Chinese figure painting, which was often used to teach lessons and show the rise and fall of people or events. This painting has continued to resonate for a thousand ...
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece