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The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...
While 1 atm (194 dB peak or 191 dB SPL) [11] [12] is the largest pressure variation an undistorted sound wave can have in Earth's atmosphere (i. e., if the thermodynamic properties of the air are disregarded; in reality, the sound waves become progressively non-linear starting over 150 dB), larger sound waves can be present in other atmospheres ...
A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]
The commonly used reference sound exposure in air is [2] E 0 = 400 μ P a 2 ⋅ s . {\displaystyle E_{0}=400~\mathrm {\mu Pa^{2}\cdot s} .} The proper notations for sound exposure level using this reference are L W /(400 μPa 2 ⋅s) or L W (re 400 μPa 2 ⋅s) , but the notations dB SEL , dB(SEL) , dBSEL, or dB SEL are very common, even if ...
The Sound Reduction Index is expressed in decibels (dB). It is the weighted sound reduction index for a partition or single component only. This is a laboratory-only measurement, which uses knowledge of the relative sizes of the rooms in the test suite, and the reverberation time in the receiving room, and the known level of noise which can pass between the rooms in the suite by other routes ...
Sound Transmission Class (or STC) is an integer rating of how well a building partition attenuates airborne sound. In the US, it is widely used to rate interior ...
Many audio components are tested for performance using objective and quantifiable measurements, e.g., THD, dynamic range and frequency response. Some take the view that objective measurements are useful and often relate well to subjective performance, i.e., the sound quality as experienced by the listener. [12]
One definition of signal-to-noise ratio is the ratio of the power of a signal (meaningful input) to the power of background noise (meaningless or unwanted input): =, where P is average power.