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  2. Bocal - Wikipedia

    en.wikipedia.org/wiki/Bocal

    A bocal or crook is a curved, tapered tube, which is an integral part of certain woodwind instruments. These include double reed instruments such as the bassoon, contrabassoon, English horn, and oboe d'amore, as well as the larger recorders. In the double reed instruments, the bocal connects the reed to the rest of the instrument; in the case ...

  3. Dulcian - Wikipedia

    en.wikipedia.org/wiki/Dulcian

    The reed is attached to the end of a metal bocal, inserted into the top of the small bore. Unlike the bassoon it normally has a flared bell, sometimes made from a separate piece of timber. This bell can sometimes be muted, the mute being either detachable, or built into the instrument.

  4. Contrabassoon - Wikipedia

    en.wikipedia.org/wiki/Contrabassoon

    The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. [1] Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances.

  5. Double reed - Wikipedia

    en.wikipedia.org/wiki/Double_reed

    The reed is then ready to fit to the bocal of the bassoon. The parts of the bassoon reed starting at the tip are: tip, blade, collar (where the profiled cane ends and throat begins), throat, 1st wire, 2nd wire (where throat ends and tube begins), 3rd wire, and butt (where the tube ends). [13] [14]

  6. Bassoon - Wikipedia

    en.wikipedia.org/wiki/Bassoon

    The complex fingering system and the expense and lack of access to quality bassoon reeds can make the bassoon more of a challenge to learn than some of the other woodwind instruments. [22] Cost is another factor in a person's decision to pursue the bassoon. Prices may range from US$7,000 to over $45,000 for a high-quality instrument. [23]

  7. Vincent Pezzi - Wikipedia

    en.wikipedia.org/wiki/Vincent_Pezzi

    This was the first recorded instance of the production of automated tools for bassoon reed making. The reeds produced by this machinery were heavy, with just the bark removed from the blade. Students would then scrape the reed in attempt to imitate the sound and control of dynamics that they were accustomed to hearing from Pezzi.