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Alexander Nevsky, Op. 78 (1938), film directed by Sergei Eisenstein (also exists in the form of a cantata, see below) Lermontov (1941) Kotovsky (1942) Tonya (1942) The Partisans in the Ukrainian Steppes (1942) Ivan the Terrible, Op. 116 (1942–45), film directed by Sergei Eisenstein (also exists in various concert forms arranged by various people)
Sergei Sergeyevich Prokofiev [n 2] (27 April [O.S. 15 April] 1891 – 5 March 1953) [n 3] was a Russian [7] [8] [9] composer, pianist, and conductor who later worked in the Soviet Union. [10] As the creator of acknowledged masterpieces across numerous music genres , he is regarded as one of the major composers of the 20th century.
Wolf Tracks and Peter and the Wolf is a 2003 album that combined the orchestral composition Peter and the Wolf by Sergei Prokofiev with a 2002 composition, Wolf Tracks, which had its score written by French composer Jean-Pascal Beintus and text written by Walt Kraemer.
Peter and the Wolf (Russian: Петя и волк, romanized: Pétya i volk, IPA: [ˈpʲetʲə i volk]) Op. 67 a "symphonic tale for children", is a programmatic musical composition written by Sergei Prokofiev in 1936.
Compositions by Sergei Prokofiev published posthumously (7 P) Concertos by Sergei Prokofiev (1 C, 5 P) F. Films scored by Sergei Prokofiev (8 P) O.
David Bowie Narrates Prokofiev's Peter and the Wolf is a classical music album originally released by RCA Red Seal Records on 2 May 1978. Produced by Jay David Saks, the first side contains a performance of Sergei Prokofiev's Peter and the Wolf (1936), with narration by the English musician David Bowie, who contributed to the project for his young son.
Peter and the Wolf is an album adapting Sergei Prokofiev's Peter and the Wolf by Jack Lancaster and Robin Lumley released in 1975. [1] [2] It features a rock arrangement of Prokofiev's music.
Visions fugitives, Op. 22, is a cycle of twenty piano miniatures by Sergei Prokofiev.The seventh piece was also published for harp.They were written between 1915 and 1917, individually, many for specific friends of the composer, and premiered by him as a cycle lasting some twenty minutes on April 15, 1918, in Petrograd.