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1500: November 3, Benvenuto Cellini, cornettist and recorder player, best known as a goldsmith and sculptor (died February 13, 1571) probable. Arnold von Bruck, Franco-Flemish composer (died 1554) [13] Cristóbal de Morales, Spanish composer (died 1553) [14] 1502: July 27 – Francesco Corteccia, Italian composer (died 1571) c. 1505
The lute song was popular among the Royalty and nobility. King Louis XIII was believed to be fond of the simple songs, which led to a volume of work during his reign. Composers of the lute song usually composed other forms of music as well such as madrigals, chansons, and consort songs. The consort song, popular in England, is considered to be ...
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
1500 – after 1557 Spanish Albert de Rippe: c. 1500 – 1551 Italian Luis de Narváez: c. 1500 – between 1550–60 Spanish Cristóbal de Morales: c. 1500 – 1553 Spanish Jacques Buus: c. 1500 – 1565 Franco-Flemish Active at Venice, and assisted in the development of the instrumental ricercar: Bartolomeo Trosylho: c. 1500 – c. 1567 ...
c. 1500 — The witty, earthy songs of the Florentine carnival, the canti carnascialeschi, are in vogue. 1501 — Ottaviano dei Petrucci publishes the Odhecaton, the first substantial collection of printed polyphonic music. 1516 — Andrea Antico publishes the earliest printed Italian music for keyboard.
Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era from the modernist, and extends into the 21st century which is musically a ...
The Lochamer-Liederbuch (Lochamer Song Book or Locham Song Book) is an extensive collection of German songs at the transition from the late Middle Ages to the Renaissance. It dates from the mid-15th century and is regarded as one of the most important surviving collections of music from fifteenth-century Germany.
Minnesang (German: [ˈmɪnəzaŋ] ⓘ; "love song") was a tradition of German lyric- and song-writing that flourished in the Middle High German period (12th to 14th centuries). The name derives from minne , the Middle High German word for love, as that was Minnesang 's main subject.