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Mural is a 1943 large painting by American artist Jackson Pollock.Although signed and dated 1943, the signature and date were not added until 1947, and the work was probably completed around the fall of 1943.
Paul Jackson Pollock (/ ˈ p ɒ l ə k /; January 28, 1912 – August 11, 1956) was an American painter.A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
The initial studies of fractal expressionism focused on the poured paintings by Jackson Pollock (1912-1956), whose work has traditionally been associated with the abstract expressionist movement. [ 3 ] [ 4 ] [ 5 ] Pollock's patterns had previously been referred to as “natural” and “organic”, inviting speculation by John Briggs in 1992 ...
Renowned art collector and supporter Ben Heller [5] acquired the painting in 1957 a year after Jackson Pollock died for a reported $32,000. [6] Heller was friends with Pollock and patronized him and many other American artists during his lifetime. [7] Blue Poles hung in the living room of Heller's 10th floor New York apartment on Central Park ...
One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artist's Abstract Expressionist drip-style works. [ 1 ] The work was owned by a private collector until 1968 when it was purchased by the Museum of Modern Art , in New York , where it has been displayed ...
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Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works. [1] [2]
Pollock here uses a combination of dripping black and white paints, only to break it down with touches of yellow. There are many interpretations of the meaning of the painting, and the painting's name, most often as a deep and profound void or hole, a viscous cut, or a dying man. [4]