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Jesús Franco (1930–2013) was a Spanish filmmaker. At a young age, Franco had a passion for comics and music, and followed his love of music, specifically jazz. [ 1 ] After his father found out about him working as a jazz musician, he enroled him a religious university in 1949.
Jesús Franco Manera (12 May 1930 – 2 April 2013), also commonly known as Jess Franco, was a Spanish filmmaker, composer, and actor, known as a highly prolific director of low-budget exploitation and B-movies. [1]
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Marquis de Sade: Justine (Italian: Justine ovvero le disavventure della virtù, lit. 'Justine or the misadventures of virtue', also released as Deadly Sanctuary) [1] is a 1969 erotic period drama film directed by Jesús Franco, written and produced by Harry Alan Towers, and based on the 1791 novel Justine by the Marquis de Sade.
[2] [8] It was the first feature film director Jesús Franco made with an international cast and a full sized-crew in nearly 20 years. [9] The film's budget was Franco's largest since Succubus (1968). [10] [11] The special effects manager on Faceless was Jacques Gastineau. It was his second special effects job after doing work in Terminus (1987 ...
Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama." [14] Brett Cullum of DVD Verdict wrote, "For curious Dracula fans, Jess Franco's Count Dracula is a neat find. It's a stellar cast working under a low budget, and it comes off entertaining if ...
The Awful Dr. Orloff was the first horror film directed by cult filmmaker Franco, and the first of many subsequent collaborations with Howard Vernon. Franco would reuse the Orloff and Morpho characters in many of his later horror films, such as Vampyros Lesbos, Revenge in the House of Usher, and Faceless.
After working on several productions in Spain, director Jesús Franco sought out financial backing in Germany. [5] Franco became frustrated with the production rules and censorship in Spain, stating that even if he had an entirely Spanish crew, he would have to film in Spain to receive the co-production funding, and that for Succubus, "the censors had taken their red pen and crossed everything ...