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Blank analog media, such as cassette tapes, were not subject to the tax. SCMS was compulsory in digital media because there is zero deterioration of quality from copy to copy. SCMS was universally disliked by home musicians who used DAT decks to record their own music; the acronym was pronounced as a derogatory term, "scums". [4]
Digital Compact Cassette ... The DCC-175 Service Manual ... was a useful application that made it possible to copy audio from tape to hard disk and vice versa ...
Most prominent among these formats was Digital Audio Tape (DAT), followed in the early 1990s by Philips' Digital Compact Cassette (DCC) and Sony's Minidisc. DAT was available as early as 1987 in Japan and Europe, but device manufacturers delayed introducing the format to the United States in the face of opposition from the recording industry.
There are at least four main models of the 1530/C2N Datassette: The original modified Sanyo M1540A cassette drive, built into the earliest models of PET in 1977. This was a standard shoebox tape recorder with a corner of the case removed and modified electronics; a Commodore PCB was installed internally in place of the Sanyo electronics.
Digital audio cassette formats introduced to the professional audio and consumer markets: Digital Audio Tape (or DAT) is the most well-known, and had some success as an audio storage format among professionals and "prosumers" before the prices of hard drive and solid-state flash memory-based digital recording devices
Magnetic-tape data storage is a system for storing digital information on magnetic tape using digital recording. Tape was an important medium for primary data storage in early computers, typically using large open reels of 7-track , later 9-track tape.
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