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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Double stranded Zuni fetish necklace with eagle fetish in center, 40 total fetishes made from turquoise, jet, pipestone, serpentine, mother of pearl, spiny oyster shell. The fetishes are strung on fine sinew strung with olive shell and turquoise heshi (beads), with a hand-made sterling silver clasp and cones. The carver of this object is unknown.
Turquoise is used in a great variety of jewellery styles. It is perhaps most closely associated with Southwest and Native American jewellery, but it is also used in many sleek, modern styles. Some turquoise contains a matrix of dark brown markings, which provides an interesting contrast to the gemstone's bright blue colour.
The Navajo silversmiths also borrowed the "naja" (najahe in Navajo) [58] symbol to shape the silver pendant that hangs from the "squash blossom" necklace. Turquoise has been part of jewelry for centuries, but Navajo artists did not use inlay techniques to insert turquoise into silver designs until the late 19th century.
Native American remains were on display in museums up until the 1960s. [129] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.
Techniques for making and using beads have been in place long before that with beads made from bone, clay, stone, coral, turquoise, pyrite, jade and seeds. [1] Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1]