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A dactyl (/ ˈ d æ k t ɪ l /; Greek: δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. [1] In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony–A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
The "dactyl," as a foot, is — u u; the name comes from the Greek for "finger," because it looks like the three bones of a finger, going outward from the palm. The principal colon of dactylic verse is the " hemiepes " or "half-epic" colon, — u u — u u — (sometimes abbreviated D).
[2] [3] Poetics is distinguished from hermeneutics by its focus on the synthesis of non-semantic elements in a text rather than its semantic interpretation. [4] Most literary criticism combines poetics and hermeneutics in a single analysis; however, one or the other may predominate given the text and the aims of the one doing the reading.
The poem was first published in the March 31, 1849, edition of the Boston-based story paper The Flag of Our Union. [2] The same publication had only two weeks before first published Poe's short story "Hop-Frog." The next month, owner Frederick Gleason announced it could no longer pay for whatever articles or poems it published.
Intertextuality is a hermeneutic means of discovering the meaning of the poem, which strictly regulates the ways of the reader's perception of poetic signs. As in the case of the semiotic phase of his understanding of poetry, Riffaterre's intertextual phase is more like a theory of the interpretation of poetry than a theory of poetry itself". [4]
Air quotes, also called finger quotes, are virtual quotation marks formed in the air with one's fingers when speaking. The gesture is typically done with both hands held shoulder-width apart and at the eye or shoulders level of the speaker, with the index and middle fingers on each hand flexing at the beginning and end of the phrase being ...