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During the ceremony, around 500 prisoners would be sacrificed. As many as 4,000 were reported killed in one of these ceremonies in 1727. [5] [6] [7] Most of the victims were sacrificed through decapitation, a tradition widely used by Dahomean kings, and the literal translation for the Fon name for the ceremony Xwetanu is "yearly head business". [8]
Nine-Night, also known as Dead Yard, is a funerary tradition originating in West Africa and practiced in Caribbean countries (primarily Jamaica, Belize, Antigua, Grenada, Dominica, Dominican Republic, Guyana, Trinidad, and Haiti). It is an extended wake that lasts for several days, with roots in certain West African religious traditions. During ...
A masquerade ceremony (or masked rite, festival, procession or dance) is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and fertility.
African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
[7] Traditional African religions generally hold the beliefs of life after death (a spirit world or realms, in which spirits, but also gods reside), with some also having a concept of reincarnation, in which deceased humans may reincarnate into their family lineage (blood lineage), if they want to, or have something to do. [31]
Umhlanga [um̩ɬaːŋɡa], or Reed Dance ceremony, is an annual Swazi event that takes place at the end of August or at the beginning of September. [1] In Eswatini, tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event. [2]
To share rhythm is to form a group consciousness, to entrain with one another, [7] to be part of the collective rhythm of life to which all are invited to contribute. [8] African ethnic groups. Yoruba dancers and drummers, for instance, express communal desires, values, and collective creativity. The drumming represents an underlying linguistic ...
Ndop of king Mishe miShyaang maMbul; 1760–1780; wood; 49.5 x 19.4 x 21.9 cm (19 1 ⁄ 2 x 7 5 ⁄ 8 x 8 5 ⁄ 8 in.); Brooklyn Museum. Ndops are royal memorial portraits caverd by the Kuba people of Central Africa. They are not naturalistic portrayals but are intended as representations of the king's spirit and as an encapsulation of the ...