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When the technique is used for wall glazing, the entire surface is covered, often showing traces of texture (French brush, parchment, striae, rag rolling). Either oil-based or water-based materials are used for glazing walls, depending upon the desired effect. Kerosene or linseed oil may be used to extend the "open" or working time of oil-based ...
Composite body, painted, and glazed bottle. Iran, 16th century (Metropolitan Museum of Art) Detail of dripping rice-straw ash glaze (top), Japan, 1852. Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. [1]
The glaze has to be subject to very high temperatures to bond to the paste, and only a very limited number of colors can stand this process. Blue was commonly used under the glaze and other colors over the glaze, both in China and in Europe, as with English Royal Worcester ware. [13] Most pieces use only one of underglaze or overglaze painting ...
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size.
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. [5] The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size.
Gothic châsse; 1185–1200; champlevé enamel over copper gilded; height: 17.7 cm (7.0 in), width: 17.4 cm (6.9 in), depth: 10.1 cm (4.0 in). Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F).