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  2. Covergirl (Groove Coverage album) - Wikipedia

    en.wikipedia.org/wiki/Covergirl_(Groove_Coverage...

    Covergirl is the first album of the German Eurodance group Groove Coverage, released in 2002. It features the 2 singles "Moonlight Shadow" and "God is a Girl" in both radio edit and ballad form. The Radio Edit of "God is a Girl" is a hidden track at the end of the album. The album features a few ballads and dance tracks.

  3. CoverGirl - Wikipedia

    en.wikipedia.org/wiki/CoverGirl

    CoverGirl is an American cosmetics brand founded in Maryland, United States, by the Noxzema Chemical Company. It was acquired by Procter & Gamble in 1989, and later acquired by Coty, Inc. in 2016. [ 1 ]

  4. Bobbie Brown - Wikipedia

    en.wikipedia.org/wiki/Bobbie_Brown

    Bobbie Jean Brown (born October 7, 1969), [1] sometimes credited as Bobbie Brown-Lane, is an American actress, model, and former beauty pageant contestant.She appeared in the 1989 videos for Great White's "Once Bitten, Twice Shy" and "House of Broken Love", and in the 1990 video for Warrant's song "Cherry Pie".

  5. Forehead lift - Wikipedia

    en.wikipedia.org/wiki/Forehead_lift

    Compared to endoscopic techniques, coronal brow lift techniques have a higher risk of elevating the frontal hairline and decreasing scalp sensation. Patients who have Endotine implants in their foreheads risk moving their newly adjusted tissues with relatively small movements just after the operation and before complete healing takes place.

  6. Cover Girl (G.I. Joe) - Wikipedia

    en.wikipedia.org/wiki/Cover_Girl_(G.I._Joe)

    Cover Girl is a fictional character from the G.I. Joe: A Real American Hero toyline, comic books and animated series. She is a tank jockey for the G.I. Joe Team , specializing in the Wolverine missile tank, and debuted in 1983 on the same team.

  7. Here It Is (The Cover Girls album) - Wikipedia

    en.wikipedia.org/wiki/Here_It_Is_(The_Cover...

    The Washington Post deemed the songs "drum-machine-ridden, annoyingly inane cuts." [11] The Baltimore Sun noted that "no matter how closely you listen to the well-polished performances collected here, it's impossible to get any sense of the women behind the voices—or even of any differences between those voices."