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Dumka in C minor, Op. 12a No. 1 (1884) for piano solo Slavonic Dances , Op. 46 (1878) and 72 (1887), (Three of the sixteen) Violin Concerto in A minor , Op. 53 (1879/80), mvt. 3 – though based on a Furiant , the middle part is a dumka
Op. 54 16 Children's songs (1883; the 5th song Legend was the basis of Anton Arensky's Variations on a Theme by Tchaikovsky, Op. 35a) Op. 55 Orchestral Suite No. 3 in G (1884) Op. 56 Concert Fantasia in G, for piano and orchestra (1884) Op. 57 6 Songs (1884) Op. 58 Manfred Symphony in B minor (1885) Op. 59 Dumka in C minor, for piano (1886) Op ...
Tchaikovsky: Piano Concert No. 3/Dumka 1993, Accord Tchaikovsky: The four piano concertos, Hungarian Gypsy Melodies, Allegro c-moll in original version. 3 CDs, 1998, KOCH-Schwann Russian songs : Rachmaninoff: 10 songs; Mussorgsky: Songs and Dances of Death ; Scriabin: Black Mass Sonata ; with Anja Silja, soprano.
Los Angeles Philharmonic Notes on Tchaikovsky's Dumka for piano, Op. 59 By Hiroshima, Grant [permanent dead link ] Claude Debussy – the Composer. bbc h2g2 reference to Claude Debussy being music teacher to her daughters – 45k; Nadesha von Meck (PDF)
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more ...
In music, Op. 59 stands for Opus number 59. Compositions that are assigned this number include: Beethoven – String Quartets Nos. 7–9, Op. 59 – Rasumovsky; Chopin – Mazurkas, Op. 59; Dvořák – Legends; Elgar – Oh, soft was the song, Was it some Golden Star?, and Twilight; Mendelssohn – Sechs Lieder, Op. 59; Nielsen – Tre ...
The Variations on a Rococo Theme, [a] Op. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much.