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The large character is used to make the ’N’ in Emanuel and the ‘מ’ in עמנואל. This is an example of orthographic word play. Most writers engage in word play to some extent, but certain writers are particularly committed to, or adept at, word play as a major feature of their work . Shakespeare's "quibbles" have made him a noted ...
Portmanteau: a new word that fuses two words or morphemes; Retronym: creating a new word to denote an old object or concept whose original name has come to be used for something else; Oxymoron: a combination of two contradictory terms; Zeugma and Syllepsis: the use of a single phrase in two ways simultaneously
An adjective (abbreviated adj.) is a word that describes or defines a noun or noun phrase.Its semantic role is to change information given by the noun. Traditionally, adjectives are considered one of the main parts of speech of the English language, although historically they were classed together with nouns. [1]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Collectively, the characters represented in a play or other dramatic work. This phrase is the conventional heading for a list of characters printed in a theatrical programme or at the beginning of the text. [35] dramaturgy dream allegory dream vision droll dumb show duodecimo duologue A conversation between two characters in a play, story, or ...
Through a process of derivational morphology, adjectives may form words of other categories. For example, the adjective happy combines with the suffix -ness to form the noun happiness. It is typical of English adjectives to combine with the -ly suffix to become adverbs (e.g., real → really; encouraging → encouragingly). [b]
Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the National Student Drama Festival in Bristol in 1962, incorporated in his published version of the speech entitled "Writing for the Theatre":
The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.